Louisiana to Texas

With some time to kill, Jack and I headed South today through forest areas of Lousiana heading down to Alexandria and on to Lake Charles.

Alexandria is almost the centre of the state and the ninth largest city. Sitting on the edge of the Red River, it once supported French trade activities at Post de Rapides. Alexandria, in the parish of Rapides, was first settled around the 1790's.

During the Civil War gunboats arrived in Alexandria around Spring of 1863. Occupied by Union forces during this period they then departed to Vicksburg, Mississippi. Alexandria suffered much through the Civil War with cotton wars, and the ultimate burning of Alexandria as the Union troops departed its shores.

The city was rebuilt and has two remaining properties that survived the fires – one being The Kent Plantation House (circa 1795) which although moved from its original site, still remains on one of the first Spanish land grant allotments.

 

We weren't intending to stop before Lake Charles but when I looked up Kent House and found it was open today and held tours it was a must see!

 

Our first part of the tour started with docent, Miss Carolyn, who gave us a tour of the outbuildings, starting with the Milk House.

A small building, the milk house has an outside cistern that's purpose was to keep the milk cold for butter making.

 

Inside the milk house were variations of butter churner's and mold's for pressing butter blocks.

 

Next, the Kitchen House. This was separated from the main house mostly in part to the fires that often happened in a kitchen. This is the third of such buildings for the Kent House – #1 burnt down, #2 destroyed by a tornado.

 

Notice the brick hearth out front of the fire place? They used to use it for cooking also. Placing hot coals on the hearth, it gave the ability to cook another dish over the coals whilst others were being cooked in the fireplace. Baking in the oven, was only done a couple times a week.

Herb racks were also used for drying homegrown herbs for both cooking and medicinal purposes.

 

As with most large affluential homes, the lady of the house was in charge of the keys, especially for expensive items. Salt and pepper were even kept under lock and key, only being doled out to the cooks each day as an allowance.

Bottle trees, a tradition of the African Americans, were believed to attract bad spirits with the colours of the bottles and keep them away from the houses. The wind creates sounds in the bottles sounding like moans. When they heard the sounds they believed the spirits had been trapped. The bottle would be removed, stuffed full of sticks and leaves and then thrown into the river, thus getting rid of the evil spirits.

 

Next a two room slave cabin of a higher class, as it bears wooden floors. It is brick to board, with saddlebag construction i.e. the fireplace is in two sides or two rooms, one side for the women and the other side for the men or husband/wife and kids the other side. They are very small rooms, sleeping on the floor amongst the kitchen and living areas.

Next we stepped in to the laundry room where all manner of agitators, washboards, irons and other interesting artefacts reside. The Lye soap mold, used ash from the fireplace and pig fat for the moisturiser.

What about rolling your own tobacco? Well the cigar mold would be perfect for pressing and drying. By the fireplace is the cutter for cutting your ends before smoking the cigar.

 

She showed us a candle maker mold as well. Hair tongs, thrown in the fire and used to crimp hair. Hmm I smell burnt hair!

Outside are two old sugar kettles. These were used for laundry – 1 for washing and 1 for rinsing.

 

The gardens were also a staple requirement with a house and sometimes the slaves were given a plot of their own to grow. If they were able to grow something the house garden didn't have or might require for a dish they would actually pay to use some of that produce.

Over to the barn which is made up of hand hewn Lincoln logs it's a dog trot design with two separate barn rooms with a 'breezeway' like central area to keep air flow during the hot summer months.

 

The cotton picking bag would hold 100lbs and would go over your shoulders and be dragged behind as cotton was picked. Some would hold up to 300lbs! Very much back breaking work picking cotton.

 

The other barn building has lots of cool old skill carpentry tools including a foot driven jigsaw.

The blacksmith shop always had a dirt floor because of fire hazards, Windows were for getting air in for the heat.

 

Mr Hinson trusted William the blacksmith slave so much that he allowed him to often take the wagon into town on his own which would almost be unheard of for fear of flight of their slaves.

Eden House, the newest acquisition to the outbuildings has a 300 hundred year old loom and eventually this little house will have samples of cotton to finished fabric product on display.

 

This property was originally on 500 acres, Pierre Baillio II ended up with around 1700 acres.

The property used to also produce sugar cane and indigo. Molasses and sugar were made from the cane and indigo obviously was cooked to produce the blue indigo dye.

This cane press once driven by mules was fed cane stalks, producing the juice that would then be taken for refining.

 

Now Miss Carolyn is quite small and you can see just how short these doors are which were part of the original mill. Mostly slave boys would be the ones to feed the fire for the mill process.

Le Grande the biggest one of the kettles was used for the first round of juice, the paddles were used once brought to the boil to get rid of the 'trash' off the top; Le flambeau the second process during the firing off; Le sirop, now like cane syrup molasses at this point they would take half of it and bottle it for cooking use; final kettle then crystallised and this became their raw granulated sugar.

The hearth is sloping back so if it boiled over it would flow back to the previous kettle and be saved for reprocessing.

 

This beautiful live oak tree is spectacular! So called because their leaves always stay green. (I thought that's what an evergreen was???) it's long low and bendy limbs left unsupported can grow back to the ground. You can see how it has started enveloping the limb support.

The monument beneath is there as a nod to the plantations cemetery as all plantations had their own. Gustavus Baillio, one of the 14 children joined the confederate army and died the day after his 16th birthday.

The second docent, Miss Sandy, took us on the house tour. It is 218 years old, took 5 years to build and was built by Pierre Baillio.

All the brick under the house was handmade by slaves. Some bricks still have fingerprints and even a toes can be seen in them. All the timbers used were from trees on the plantation. Gardens were meant to be looked upon and therefore viewed from the balcony (besides the flooding issues of the bayous beyond). All plants in the garden are period correct as would have been at the time, the grass and brick work period for the garden also.

 

The handwritten recipes of the daughter in the right hand painting are now written into a cook book. The children were well to do with the third also having been to Harvard, coming back home to become judge.

 

The boys bedroom has the only original floors left in the house. The bed in this room is a rope bed to which would have been rest reached and tightened each day – hence the phrase “sleep tight”. The mattress would have straw and often tree moss which might have bugs and chiggers still in it – hence the phrase “don't let the bed bugs bite”.

Into the dining room and above the table is a large wooden paddle known as a 'punkah' – an Indian fan. A boy too small to work in the fields would stand in the corner and pull the cord to work the punkah during the hot months. (Further research shows that the operator was also known as a punkahwallah)

 

Houses were taxed per room so no closets or hallways as they were considered rooms and would be taxed accordingly.

A fireplace on the internal walls of a room was influence of the French. The English had fireplaces on the outside walls at the ends of the house.

Next we visit the parlour room for the ladies. They could sit and chat/gossip, do their needlework and take tea beside the fire. The picture above the fireplace of one of the Baillio women shows a hairstyle covering her ears. In those days you were not to show your ears so if a lady had not the hair to cover she would have to use horsehair, curled and styled into additional ringlets etc to be worn.

In the corner of the room is a sewing table, a fabulous looking little piece with a 'work bag drawer' of beautiful upholstery fabric. This would hold your needlework projects. The drawer above would house threads, needles etc. I want one! How neat is that?!

 

Last, the girls room with its ornate bed was much better than the boys, this feather bed was built in 1810. On the ceiling you can still see holes as this room would be partitioned for the older girls on one side and the younger girls on the other but if the county clerk was coming around to check rooms for taxes the partition could be quickly taken down!

The beautiful armoir, hand made in 1840 has a hidden drawer, the centre leaf piece where the doors close to could be removed be secret latch and the drawer was in behind it where jewellery could to be stashed.

The second owner of the house was a Mr Robert Hinson. The original style of the house was French creole and by the time he bought it creole was out and Greek revival was in. With the addition of the two side rooms at the end of the verandah he had changed the style.

These rooms have higher ceilings, additions of wallpapers and no exposed beams. By now, it was deemed you didn't have enough money to finish the house properly if your beams were exposed.

The gothic revival furniture and empire pieces also show changes in the time periods. This was mostly used as Mr Hinson's office, a more formal area for meetings and receiving businessmen.

 

The beautiful piano was played by his daughters for the entertainment of guests. It has not been restored as piano tuners are afraid to touch it's gorgeous piano wires of sterling silver as it is too precious.

It has beautifully ornate candle holders for light to the music sheets and keyboard and the handles on the sides of the piano lend its use to be dragged onto the porch for entertainment, for it to be heard during parties in the garden below.

 

Shutters were very important in the time and not just for aesthetics. If your shutters were painted green it meant you made your money off the land. If they were blue you were from the water, an importer or exporter. If they were black you had read your letters, so being educated, perhaps a lawyer etc.

If all the paint and all the siding was taken off the Creole section it would be a mud like house. Clay, horse, bear, deer hair and Spanish moss similar to Adobe. If you had the money you would white wash or paint it as Kent House was.

Turning our attention back to where we had made our entry, the narrow staircases were made for original empire dress styles in the early days. As the years and fashion changed (as we know it was pretty dramatic between 1800-1865) Mr Hinson had taken out the middle banister section and put steps in to the front of the porch down to the garden for the ladies in their hoop petticoat gowns. This may not be the only reason but with the restoration of the property they have taken in back to the original.

 

The second room at the end of the porch is the master bedroom, children stayed in here until they were two before they moved to the other children rooms. The day bed was used for exactly that – day naps – as the main bed was not to be messed up after being made. Called the rolling pin bed, the rolling pin was used off the bed head and rolled across the feather bed to get it neat and then placed back into position on the bed head.

The Hinson family with its 11 children, all used the same water starting with father, then mother, then the eldest children down to the baby. By this stage the water wouldn't be so clean and much less than had started, perhaps hence the term 'don't throw the baby out with the bath water'.

Look at the gorgeous red ware set as well, a wedding gift to their granddaughter and one of few sets left. This room in its darkness appears just as it would in that time period although on the top jutting ledges of the armoir would have been lamps, the white ceiling reflecting light across the room so they could at least see a little!

 

As we finish up the tour, the final room on the back porch was 'the strangers room' or as we call it today, a guest room. If someone stopped and asked for a room for the night this is where they stayed. There was a separate staircase and the door to the room did not open into the main house so you could keep your family safe. You enjoyed having people stay as they were useful for gathering information, finding out if war was close, were the levee banks holding during storms etc.

 

What a fabulous hour and maybe a half pit stop. So glad I looked up a little bit about Alexandria and found this fabulous place. Wasn't out of the way either, was only quarter of a mile off the main road!

Now we are in Beaumont, Texas for a couple of nights before heading on to Fredericksburg and the Texas Hill country.

Au revoir Louisiene!

Kat xo

 

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Be Seen In Green

Green and cream. Tea dyed lace and broderie anglaise pair well with this green floral of Annie Hicock's.

She has made a shirt for Fast Fingers while I do the matching skirt and corset for her.

For this one I've coordinated a green check to create the skirt trim, the sash and the binding edge's for the corset.

 

It's coming together nicely Annie! Looking forward to seeing you coordinated pair on the range at Land Run!!

Kat xo

 

1890’s for me!

Yes! I'm doing a gown for me! Yay!

Thanks to Annie Hicock for passing on some check flannel fabric and for an inspiration photo that I found on Pinterest I felt a new 1890's gown would be the go for me.

My inspiration – this sweet little, simple looking skirt and bodice. Now the hat I had already made on a trip to Texas last December?! It just needs the finishing touches of brim trim and a dead bird or feathers as such.

 

Meh, still thinking about that decoration seeing as I didn't get to the shop in Mount Tamborrine that has the most divine hand constructed velvet flowers.

Back to the main construction and I started on the skirt using a Buckaroo Bobbins pattern of the Primrose Skirt. That will work but I didn't want the semi check plaid running straight across. Nothing like making work for myself. (She says rolling her eyes)

The fabric had that much movement in it I was almost tempted to give up and construct something else. Always up for a challenge, I persisted after I got to match the front panel how I wanted. (Now with somewhat gritted teeth)

Eventually I got all the panels around the skirt to match as close as possible and I got to thinking about how much fabric the pattern matching was using up and whether I would have enough for the bodice. I also had some black velvet on the shelf and decided the inverted pleat section in the rear of the skirt would look good using this. It will certainly match in with the use of it for the waistband.

 

With the saving I made using the velvet I had enough of the plaid fabric to definitely play with further pattern matching on the bodice.

It's time to use the old noodle and work out how in the world I can create the look I want with the bodice and the hidden closures required to get in and out of it.

I got that semi worked out, fabric's cut and pieced together in order for it to look like a blouse (shirt waist) and short jacket. So far, so good.

 

For now, I'm on track. I need to do some more deciphering of the inspiration photo and research closures to see if anything matches with the idea in my head.

Brain power required.

Kat xo

 

Mountain Lion, Horse and Dog

What on earth could these three things have in common?

I'm glad you asked, oh you didn't? Haa Haa, well I do have a little story about them and it all started with a request from Lil Magill for her next interesting B-Western costume.

This time Lil had found a vintage 1940's brown gaberdine shirt and skirt featuring, you guessed it, a black mountain lion, dog and horse with a chenille palm tree like detail.

After discussions about changes of colour etc we decided to keep it to the original as close as possible.

 

I set to finding fabric similar to the original and during this quest for fabric, trim and snaps, Lil's brother John contacted me wanting to have this for her Christmas present. I'm sure she was presently surprised!

Now, around the time of initiating the project Jack and I were actually visitin with Texas Mac and Texas Flower. Flower and I were deep in conversation of the outfit and we both wondered as to the unusual grouping of the dog, horse and mountain lion.

As enquiring minds tend to do, I threw it into a Google search and to our surprise (and now this presents a whole new surprise to Lil. SURPRISE!! 🙂 ) I found a 1957 Golden Book – Roy Rogers and the Mountain Lion.

I could not believe my luck! I bought it straight away as a gift for Lil to go with her costume. The book itself other than some minor foiling missing on the spine does not appear to have ever been read. There are no creases in the pages, no writing in the 'This book belongs to' section and is in excellent condition.

 

Now I could get into the costume and get cracking. Eventually I found suitable mountain lion, horse and dog embroidery designs that I could then spend time changing colours and getting it to look close to the original.

 

The embroidery floss chain stitch detail was to follow and I'm feeling pretty pleased with myself at how it's coming together.

 

Finding the right fringe proved again to be an interesting feat so I purchased a longer version and spent time cutting it back to the required length. I eventually found the black snaps required. (actually should have been brown but as Mum says 'a blind man on a galloping horse wouldn't see it')

 

I altered the usual cuff pattern to make up similar to the original and was very pleased with how this turned out. It's all coming together nicely!

Next to last was the fringing and it looked terribly long, checking my measurements and a quick message to Lil meant 4 inches needed to come off! Unpick the fringe, cut, stitch and reapply.

Finally the hand stitching was completed and the snaps are on and the 'Roy Rogers' inspired outfit is ready for sending!

So looking forward to seeing you wear this one Lil!

 

Cheers and stitches!

Kat xo

 

When In Texas….

It's go bold, go big or go home! Lol!

So here I present the 'I Love Texas' outfit that I made for Pistol Packin' Pami.

You would have seen it boldly worn at the Ben Avery Shooting Facility in Phoenix at Winter Range 2018! (Tuesday over there)

Others desiring this similar theme were a little disappointed when I said I couldn't do a corset for them because 'somebody else' was already getting it.

Pami wanted a Texas flag corset incorporated with blue bonnets and the main part to be like the flag. We put our heads together and came up with the star embroidered on the blue, the red and white on the left as per the flag – perfect – and at the back the two middle sections would be white and feature the Texas state flower, the Bluebonnet. (The 'lupinus texensis' the bluebonnet was adopted as the official state flower by the Texas legislature in 1901)

 

Pami, being a colourful character who I treasure, loves colour and so we went with a red top with a small blue and a white frill in a style she is familiar with.

 

Her flamenco styled skirt in red features a blue frill with white embroidered stars, the white frill has a smaller version of the blue bonnets and a plain red frill – see where I went with that? Keeping it in similar order to the flag itself.

 

With, of course, a quick little headpiece to boot!

 

The final product and one very happy cowgirl! You look amazing my friend, can't wait to see more photos of you in this outfit on range.

 

Somebody please post more pic's on Facebook so I can see it in all her glory!

Kat xo

 

Days Have Flown

It doesn't take long for days to pass and from last I wrote we have been to Newcastle to the girl grandbabies and caught up with them and all girly things.

A dip at the beach, a catch up with Jack's daughter as well, lunch with them all, a BBQ on Sunday and in between its dolls, puzzles, scooters and playing.

 

We dropped off Jackrabbit Johnny's sombrero and vaquero coat and had a great catch up with him and Ruth on the Sunday night.

Yes his jacket does fit him and he was over the moon. I look forward to seeing it with his whole outfit together.

 

Monday it's on to Sydney to catch a quick flight to Adelaide to see the boy grandbabies. Cars, planes, swimming, beach, bubbles in the backyard. You can fit a lot in in a couple of nights and a full day but still wasn't long enough. They have grown so much but I did get to see Archer go to Kindy this morning and Jack went with Charlie to day care before our flight back to Sydney.

 

Had a good morning with Dad and Mum checking out their new house, breakfast and coffee with Aunty Lynn as well before heading back to Grafton to house/dog sit for a few days.

Side note: this now includes a tyre change before we can go anywhere North.

It's humid here in Taree and warming up fast for the day, once the tyre is fixed we can get on the road to Grafton.

Make each day count, hope yours is a good one.

Kat xo

 

Weddings, Parties, Anything!

With the recent wedding of Ace McKenzie to Scarlet Assasin, I can now reveal her gorgeous gown, Ace's vest and Dallas Roarke's corset gown that I created for the wedding party.

Measurements were obtained 12months ago, sourcing of fabric and lace from various parts of the globe took place and then it was time for getting it together.

I tried a new corset construction, or boned corset bodice I prefer to term it, much more suitable for a wedding gown. Mock up corsets were sent over for fittings, with progress moving on from there.

Scarlet was to have a recreation of a gown she had seen with a couple slight alterations from the original picture. Suffice to say I was happy with how everything turned out but was still waiting for it to arrive safely in Australia to her and know that everything fitted perfectly.

A couple conversations with Aspen Filly confirmed what I was to do with the skirt and a tip on the horsehair use with the satin frill to get just the right amount of bounce and wave was greatly appreciated. New technique learnt! 😉

Satin taffeta underskirt and overskirt with satin and crystal organza frills on one yoke to create less bulk beneath the bodice.

 

Corset bodice of satin taffeta and full pearl bead, sequinned lace, piped edge finish, rigilene and steel boning.

 

The finished product in full – spectacular!

 

Ace's requirements were for a vest. Simple enough, just needed the Ace cards embroidered on the front and in a red shot black taffeta. Some playing around with embroidery designs and figuring out placement, I nailed it first go with the hoop change in the middle. Happy day's!

 

Dallas wanted the Ace cards down the front of the corset on the same red taffeta coordinated with gorgeous lace skirt overlay. I did however, have to do her front section twice over to get the cards lined up. Slightly frustrating but I got there.

The red and black is always a sensational pairing.

 

Then came the 'how are we going to get this back there?' To which came a number of expensive options finally arriving at a more reasonable one. I found and used Luggage Free, sending my luggage ahead with the said wedding items inside. What a fantastic service and was there in plenty of time to steam and let set as needed.

I've been waiting until the 10th February for this reveal and so glad their wedding turned out to be a sensational day with family and friends and that I was there in spirit and thread! 🙂

Ace sent through some photos taken by The Boneyard Wrangler so now can share the beauty of the final production.

 

Congratulations once again Ace and Scarlet!

Kat xo